A master of American noir, he wrote haunting novels about desperate souls on the run from society and themselves.
David Goodis lived and wrote in the shadows. Born into a Jewish family in Philadelphia, he graduated from university but found his material not in the elite but in the city's underbelly. His novels, often written in a feverish burst, chart the plummeting trajectories of bartenders, small-time crooks, and men shattered by fate. Goodis achieved early Hollywood success, co-writing the Bogart film 'Dark Passage,' but he grew disillusioned with the studio system and retreated to Philadelphia. There, in his parents' attic, he produced his most potent work: paperback originals like 'Down There' (adapted by Truffaut as 'Shoot the Piano Player') and 'The Burglar,' which pulsed with a unique, melancholic despair. He died relatively young, a recluse whose profound influence on the crime genre was fully recognized only after his death.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
David was born in 1917, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1917
#1 Movie
Cleopatra
The world at every milestone
Russian Revolution overthrows the tsar; US enters WWI
King Tut's tomb discovered in Egypt
Pluto discovered
FDR's New Deal launches; Prohibition ends
Social Security Act signed into law
Kristallnacht and the escalation toward WWII
India gains independence; the Dead Sea Scrolls found
Sputnik launches the Space Age
Summer of Love in San Francisco; first Super Bowl
He wrote his novel 'The Burglar' in just eight days.
After his Hollywood stint, he lived reclusively in his parents' house in Philadelphia for the last decade of his life.
Goodis was a trained journalist and wrote for advertising agencies early in his career.
French New Wave directors, especially Truffaut, were major champions of his work, elevating his status in Europe.
“I write about people who are afraid to hope.”