

A radical British painter who forged a stark, angular vision of the modern machine age before turning to a more expressive, turbulent style later in life.
David Bomberg emerged from London's Jewish East End as part of the avant-garde 'Whitechapel Boys,' determined to smash Victorian artistic conventions. His early masterworks, like 'The Mud Bath,' were explosions of geometric force, reducing human figures to dynamic arrangements of sharp planes and vivid color, capturing the energy and alienation of the early 20th century. His service in the trenches of WWI, however, shattered his faith in pure abstraction. Post-war, Bomberg embarked on a lifelong, often lonely quest for a more tangible form of expression, traveling from Palestine to Spain. His later paintings of landscapes and portraits are thick with impassioned, heavy brushstrokes, conveying the weight and texture of the world with a raw, physical intensity. Largely overlooked by the establishment during his lifetime, his uncompromising journey profoundly influenced later British figurative painters.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
David was born in 1890, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1890
The world at every milestone
Wounded Knee massacre marks the end of the Indian Wars
First public film screening by the Lumiere brothers
Wright brothers achieve first powered flight
San Francisco earthquake devastates the city
Ford Model T goes into production
Triangle Shirtwaist Factory fire kills 146 in New York
Women gain the right to vote in the US
Pluto discovered
The Blitz: Germany bombs London
Korean War begins
Sputnik launches the Space Age
He was rejected by the Slade School of Fine Art but later studied there under Henry Tonks.
He taught at the Borough Polytechnic, where his influential students included Auerbach and Kossoff.
A major retrospective of his work at the Tate Gallery in 1988 secured his posthumous critical reputation.
His sister, Kitty, was married to the writer and poet Isaac Rosenberg.
“I seek to express the spirit of the age in the most intense way.”