

A clarinetist who acts as a sonic time traveler, meticulously resurrecting the hot jazz and sweet sounds of early 20th century America.
Dan Levinson didn't just learn to play jazz; he apprenticed himself to a specific era. With a clarinet and saxophone as his vehicles, he dedicated his life to the intricate, joyful, and often overlooked music of the 1910s through the 1930s. This isn't mere revivalism; it's a deep scholarly passion performed with contagious enthusiasm. He leads bands like the Canary Cottage Dance Orchestra and the New Millennium All-Stars, ensembles that feel less like museum pieces and more like lively séances channeling the spirits of Bix Beiderbecke and the California Ramblers. Levinson's work is a vital link, ensuring that the sophisticated arrangements and spirited improvisations of jazz's first flourishing continue to be heard not as history, but as living, breathing art.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Dan was born in 1965, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1965
#1 Movie
The Sound of Music
Best Picture
The Sound of Music
#1 TV Show
Bonanza
The world at every milestone
US sends combat troops to Vietnam
First Earth Day; The Beatles break up
First test-tube baby born
MTV launches; first Space Shuttle flight; AIDS identified
Internet adopts TCP/IP, creating the modern internet
Challenger disaster; Chernobyl nuclear meltdown
Oklahoma City bombing; Windows 95 released
Hurricane Katrina devastates New Orleans; YouTube launches
Paris climate agreement; same-sex marriage legalized in the US
AI agents go mainstream
He is a noted collector and historian of vintage saxophones and clarinets.
He performed on the soundtrack of Martin Scorsese's film 'The Aviator'.
He studied under and performed with the veteran jazz saxophonist and clarinetist Joe Muranyi.
“The music of the 1920s isn't old; it's a living language waiting to be spoken.”