The Indian filmmaker whose silent feature 'Shree Pundalik' quietly flickered to life a full year before cinema's recognized birth in the country.
Dadasaheb Torne was a Bombay photographer with a mechanical mind, fascinated by the new moving picture technology from the West. In 1912, he partnered with a stage troupe performing a popular Marathi saint play. Using a hand-cranked camera and raw film stock, he documented their performance, later adding live singing and harmonium accompaniment during screenings. The result, 'Shree Pundalik,' was a filmed play more than a narrative film, but its commercial release marked a monumental first step. While history often credits Dadasaheb Phalke's 'Raja Harishchandra' the following year as the dawn of Indian cinema, Torne's pioneering effort lit the very first spark.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Dadasaheb was born in 1890, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1890
The world at every milestone
Wounded Knee massacre marks the end of the Indian Wars
First public film screening by the Lumiere brothers
Wright brothers achieve first powered flight
San Francisco earthquake devastates the city
Ford Model T goes into production
Triangle Shirtwaist Factory fire kills 146 in New York
Women gain the right to vote in the US
Pluto discovered
The Blitz: Germany bombs London
Korean War begins
Kennedy-Nixon debates become first televised presidential debates
'Shree Pundalik' was a filming of a stage play, not an original screenplay written for cinema.
The film was shot by a British cameraman, Johnson, using a camera imported from London.
No known print of 'Shree Pundalik' survives today.
He initially worked as a photographer at the famous Chhatrapati Shivaji Maharaj Terminus railway station in Mumbai.
The honorific 'Dadasaheb' means 'elder brother' in Marathi, a term of respect.
“We filmed 'Shree Pundalik' not as art, but as a record of our people's devotion.”