

A German musical innovator who masked his identity to let his sunny, genre-blending 'raop' become a nationwide phenomenon.
Carlo Waibel, known as Cro, emerged as a paradox in German music: an anonymous superstar. Cloaked in a panda mask, he sidestepped the cult of personality, forcing listeners to focus solely on his sound—a buoyant, catchy fusion of rap and pop he dubbed 'raop'. Tracks like 'Easy' and 'Whatever' were inescapable in the early 2010s, their upbeat production and relaxed vocals offering a counterpoint to harder hip-hop. The mask became a symbol of playful mystery and a savvy marketing tool, propelling his debut album 'Raop' to the top of the charts. While the novelty faded, Cro's influence persisted, paving the way for a more melodic, accessible wave of German rap and proving that a masked man could become one of the country's most recognizable musical voices.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Cro was born in 1990, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1990
#1 Movie
Home Alone
Best Picture
Dances with Wolves
#1 TV Show
Roseanne
The world at every milestone
Hubble Space Telescope launched; Germany reunifies
Oklahoma City bombing; Windows 95 released
US invades Iraq; Human Genome Project completed
Twitter launches; Pluto reclassified as dwarf planet
Barack Obama elected first Black US president; financial crisis
Osama bin Laden killed; Arab Spring sweeps the Middle East
COVID-19 pandemic shuts down the world
He designed his signature panda mask himself.
Before his music career, he studied communication design.
He is a skilled skateboarder and often incorporates skate culture into his visuals.
“I make music for the day, not for the history books.”