

A brilliant, self-destructive composer who almost single-handedly gave British ballet its musical backbone and swagger.
Constant Lambert was a wunderkind whose talent burned fiercely and too fast. Recognized early by the likes of William Walton, he composed his jazzy, Stravinsky-influenced 'The Rio Grande' at just 21, making him a star of the British musical scene. His true legacy, however, was forged in the theater. As the musical director for the Vic-Wells Ballet (later The Royal Ballet), he was not just a conductor; he was an architect of sound. He championed contemporary scores, arranged existing music with a dramatist's flair, and insisted that music be an equal partner to dance. His own ballet scores, like the sprawling 'Horoscope,' were major events. A charismatic, hard-drinking intellectual, he wrote sharp criticism and moved easily among artists like Sickert and Dylan Thomas. But his health declined under the strain of overwork and dissipation, and he died at 45, having fundamentally shaped the sonic identity of English ballet.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Constant was born in 1905, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1905
The world at every milestone
Einstein publishes the theory of special relativity
Halley's Comet makes its closest approach
World War I ends; Spanish flu pandemic kills millions
First commercial radio broadcasts
The Great Kanto earthquake devastates Tokyo
Robert Goddard launches the first liquid-fueled rocket
Social Security Act signed into law
WWII ends; atomic bombs dropped on Hiroshima and Nagasaki
First color TV broadcast in the US
He was the subject of a famous portrait by the painter Walter Sickert.
His father was the Australian-born painter George Lambert.
He conducted the premiere of William Walton's jazz-influenced 'Façade' suite.
He was a close friend of the composer and critic Cecil Gray, with whom he shared a passion for rare spirits and strong opinions.
““The trouble with music is that there is too much of it.””