

A shadowy, teenage poet whose single, blasphemous novel became the sacred text for 20th-century avant-garde movements from Surrealism onward.
Isidore Ducasse, writing as the Comte de Lautréamont, lived a brief and obscure life, leaving behind a small, radioactive body of work that would detonate long after his death. Born in Montevideo to a French diplomat, he was sent to Paris for school and vanished into the city's literary bohemia. Before he turned 24, he self-published 'Les Chants de Maldoror', a fever-dream epic in poetic prose that narrated the horrific, surreal adventures of its misanthropic protagonist. It was a torrent of violent, erotic, and blasphemous imagery, unlike anything published before. It went almost entirely unnoticed. He followed it with a puzzling, paradoxical set of aphorisms called 'Poésies' that seemed to contradict his first work, then died under mysterious circumstances. For decades, his book gathered dust. Then, in the 1920s, the Surrealists dug it up and declared it their bible, seeing in its uncontrolled imagery and revolt against God and man the pure expression of the subconscious. Lautréamont became the ultimate cult author, a ghost who gave permission for a century of artistic rebellion.
The biggest hits of 1846
The world at every milestone
His real name was Isidore Lucien Ducasse; 'Comte de Lautréamont' is a complete pseudonym, possibly inspired by a character from a French Gothic novel.
He died in Paris at age 24, with the cause of death listed vaguely as 'fever'—leading to much speculation.
Almost the entire first print run of 'Les Chants de Maldoror' was stored in a publisher's warehouse and later pulped.
The artist Salvador Dalí was deeply influenced by his work and illustrated editions of 'Maldoror'.
“The poetry must be made by all. Not by one.”