

A violinist who dismantles the classics with fierce intellect and technical command, building them anew in performances of startling immediacy.
Christian Tetzlaff stands apart in the world of classical violin. He is not a purveyor of easy, polished beauty but a relentless musical explorer. From his base in Germany, he has built an international career on the strength of a penetrating mind and a technique that serves musical truth over mere virtuosity. He is as compelling in the dense architecture of Bach's solo sonatas—which he plays from memory in staggering cycles—as he is in thorny contemporary works, which he champions with conviction. Tetzlaff is also a dedicated chamber musician, finding deep conversation in partnerships with artists like pianist Leif Ove Andsnes. His recordings and live performances are events, known for their emotional risk and absence of cliché. He makes familiar repertoire sound newly discovered, arguing through his bow that great music is a living, breathing argument, not a museum piece.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Christian was born in 1966, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1966
#1 Movie
The Bible: In the Beginning
Best Picture
A Man for All Seasons
#1 TV Show
Bonanza
The world at every milestone
Star Trek premieres on television
Voting age lowered to 18 in the US
Iran hostage crisis begins; Three Mile Island accident
Michael Jackson releases Thriller
Apple Macintosh introduced
Black Monday stock market crash
Dolly the sheep cloned
Twitter launches; Pluto reclassified as dwarf planet
Donald Trump elected president; Brexit vote
He initially considered becoming a doctor or a scientist before fully committing to music.
He plays a modern violin made by German luthier Peter Greiner, not a historic Italian instrument.
His sister, Tanja Tetzlaff, is a professional cellist, and they frequently perform together.
He learned violin partly through the Suzuki method.
“The most important thing is that the music sounds as if it were composed yesterday.”