

A German painter whose late-career embrace of Expressionism unleashed a vibrant, emotionally charged world of color and form.
Christian Rohlfs's artistic path was a long evolution towards radiant freedom. Born in 1849, he began in the meticulous world of naturalism and Impressionism, his early career shaped by academic training and a serious leg infection that led to amputation. For decades, he taught and painted in a relatively traditional vein. The transformative shift came around 1900, after he moved to Hagen and fell under the influence of the collector Karl Ernst Osthaus and the avant-garde circle there. In his fifties, Rohlfs finally shed convention, embracing the bold, non-naturalistic colors and raw emotionalism of Expressionism. His later works—landscapes, figures, and religious scenes—pulse with intense, often mystical energy, rendered in vivid oils and dynamic watercolors. Despite being older than his Expressionist peers, he became a vital part of the movement, his productivity undimmed until his death in 1938, after which the Nazis condemned his work as 'degenerate'.
The biggest hits of 1849
The world at every milestone
Eiffel Tower opens in Paris
Robert Peary claims to reach the North Pole
Treaty of Versailles signed; Prohibition ratified
Wall Street crashes, triggering the Great Depression
Kristallnacht and the escalation toward WWII
He lost a leg due to a tuberculosis infection in his youth and painted using a prosthetic limb.
He was a close associate of collector and patron Karl Ernst Osthaus, who played a key role in his artistic shift.
He did not fully commit to an Expressionist style until he was in his 50s.
A museum dedicated to his work, the Christian Rohlfs Museum, exists in Hagen, Germany.
“Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings.”