
A Mongolian sumo wrestler whose agility and technical skill have made him a durable and exciting fixture in Japan's top division for years.
Chiyoshōma Fujio debuted in sumo in 2009, breaking into the top makuuchi division in 2016 as a consistent sekitori. Hailing from Ulaanbaatar, Mongolia, he brought speed, leverage, and diverse throwing techniques to the dohyō, relying not on overwhelming size. Fighting out of the Kokonoe stable, he became known for an explosive tachi-ai and winning from disadvantaged positions. Born in 1991, he has not yet broken into the titled sanyaku ranks, but his longevity and entertaining style earned him a reputation as a dangerous opponent for any wrestler.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Chiyoshōma was born in 1991, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1991
#1 Movie
Terminator 2: Judgment Day
Best Picture
The Silence of the Lambs
#1 TV Show
Cheers
The world at every milestone
Soviet Union dissolves; World Wide Web goes public
Dolly the sheep cloned
Indian Ocean tsunami kills over 230,000
iPhone released; Great Recession begins
Michael Jackson dies; Bitcoin created
Curiosity rover lands on Mars; Sandy Hook shooting
January 6 Capitol breach; COVID vaccines roll out globally
His shikona (ring name) 'Chiyoshōma' incorporates 'Chiyo' from his stablemaster, former yokozuna Chiyonofuji, a legendary technician.
Before becoming a sumo wrestler, he was a skilled freestyle wrestler in Mongolia.
He is one of several Mongolian wrestlers who have found success in Japanese sumo.
He is known for frequently employing throwing techniques like *uwatenage* (overarm throw) and *shitatenage* (underarm throw).
“My sumo is not about power; it's about technique and speed.”