

A 17th-century French civil servant who, in his late sixties, penned the definitive versions of stories like Cinderella, forever shaping global childhood.
Charles Perrault, born in Paris in 1628, lived a life of high bourgeois achievement long before he ever wrote about glass slippers. A lawyer by training, he was a formidable intellectual who rose to become a senior official under King Louis XIV, helping to oversee the construction of the Louvre and Versailles. He was a central figure in the 'Quarrel of the Ancients and the Moderns', fiercely arguing that the artists of his own age could rival those of classical antiquity. It was only after his official retirement, in his late sixties, that he produced the work that would immortalize him. In 1697, he published 'Histoires ou contes du temps passé' (Stories or Tales of Times Past), a slender volume attributed to his son Pierre. Within it were polished, literary versions of stories he had collected from French folk tradition. With a wit and elegance that belied their sometimes dark origins, Perrault gave the world the canonical texts of 'Little Red Riding Hood', 'Sleeping Beauty', 'Cinderella', and 'Puss in Boots'. In doing so, he didn't just record fairy tales; he invented them as a literary genre for adults, embedding them with subtle morals and a distinctly Parisian sophistication.
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The original French title of his famous collection is subtitled 'Contes de ma mère l'Oye' (Tales of Mother Goose).
He initially published his fairy tales under the name of his son, Pierre Perrault d'Armancour.
Before his fairy tales, he wrote a popular verse parody of classical epic poetry called 'The Walls of Troy'.
He held the powerful position of controller general of the Surintendance des Bâtiments du Roi, overseeing royal buildings.
“Patience and time do more than strength or passion.”