

A French organist-composer whose ten monumental Organ Symphonies, particularly a blazing Toccata, forever changed the instrument's musical possibilities.
For over six decades, Charles-Marie Widor was the living spirit of the organ at Saint-Sulpice in Paris, presiding from one of the finest instruments in the world built by Aristide Cavaillé-Coll. This unique partnership between composer and technological marvel allowed Widor to pioneer a new genre: the organ symphony. Moving beyond traditional liturgical forms, his ten symphonies treated the organ like a full orchestra, demanding virtuosic technique and exploiting the instrument's vast colors and dynamics. While his output was wide, including operas and chamber music, it is the thrilling Toccata from his Fifth Symphony that secured his popular immortality, becoming a staple of wedding recessals and concert finales. As a teacher at the Paris Conservatoire, he shaped the next generation, counting the brilliant Marcel Dupré among his students, ensuring his rigorous, grand style would echo through the 20th century.
The biggest hits of 1844
The world at every milestone
New York City opens its first subway line
World War I begins
First Winter Olympics held in Chamonix, France
Hindenburg disaster; Golden Gate Bridge opens
He was initially hired at Saint-Sulpice on a provisional basis, which lasted for over six decades.
He was a noted scholar who completed and edited the third volume of J.S. Bach's organ works for publication.
He wrote a ballet, 'La Korrigane,' which was performed at the Paris Opéra.
He was elected a member of the Académie des Beaux-Arts in 1910, a rare honor for an organist.
“The organ is not an orchestra, but an orchestra is an organ.”