

A poetic dreamer who nearly beat Edison to the phonograph, his mind buzzed with unrealized visions of sound and color.
Charles Cros lived a brief, brilliant, and frustrating life in the bohemian heart of 19th-century Paris. By day, he was a teacher of ancient languages; by night, a fixture in the cafés of Montmartre, friends with Verlaine and Rimbaud, and a poet of the avant-garde. But his restless intellect was equally consumed by science. In 1869, he presented a sealed paper to the French Academy of Sciences describing a method for recording and reproducing sound using a vibrating stylus and a lampblack-covered disc—a device he called the 'paléophone.' He lacked the funds to build a prototype. When Thomas Edison announced his phonograph eight years later, Cros could only assert his prior theoretical discovery. He also proposed an early method for color photography and dreamed of interplanetary communication. Cros died in poverty, a symbol of the tragic inventor, his tangible legacy more in his symbolist poetry than in the mechanical revolutions he foresaw but could not claim.
The biggest hits of 1842
The world at every milestone
First electrical power plant opens in New York
He was a founding member of the 'Club des Hydropathes,' a famous Parisian literary society.
The French Academy of Sciences awarded him a posthumous prize for his work on color photography.
He is the subject of an annual poetry prize, the Prix Charles Cros, awarded for outstanding music recordings.
His son, Guy-Charles Cros, became a noted painter.
“I have sung of the living, I have sung of the dead; the ivy is green on my door.”