

An Edwardian gentleman who became England's most urgent folk song archaeologist, rescuing centuries of rural melody from oblivion.
Cecil Sharp was not a man of the soil, but a Cambridge-educated music teacher who experienced a conversion. It happened in 1903, when he overheard a gardener singing 'The Seeds of Love' in rural Somerset. Struck by the song's modal strangeness and emotional depth, Sharp embarked on a mission. He saw England's ancient folk song tradition, passed down orally for generations, dying with its last rural carriers. Armed with a notebook, he traveled the countryside, transcribing tunes from farmers, laborers, and elderly villagers, often noting the singer's name and village. His work was feverish and polemical; he believed these songs represented a pure, uncorrupted English musical spirit. He co-founded the English Folk Dance Society and published vast collections that became the bedrock of the early 20th-century folk revival. While later scholars would critique his romanticized and sometimes selective approach, there is no doubt that without Sharp's obsessive fieldwork, a vast repository of English cultural heritage would have been lost forever.
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He served as the music master at Ludgrove School, a preparatory school, early in his career.
His first folk dance notation was of the 'Headington Quarry Morris Dance', which he saw performed on Boxing Day in 1899.
He believed that folk songs were best taught to children to preserve them, influencing music education.
He was a critic of the phonograph, preferring to transcribe songs by ear in the moment rather than rely on early recordings.
“Folk song is not a fixed thing; it is a living, growing thing, constantly changing.”