
An 18th-century poet whose elegant verses and operatic librettos made him a central, polished voice in Italy's Arcadian literary movement.
Carlo Innocenzo Frugoni produced a vast body of pastoral poetry and opera librettos as a court poet in Parma. As a devoted member of the Arcadian Academy, which aimed to purify Italian poetry, his lyrics and bucolic poems were widely admired. He collaborated with composers like Tommaso Traetta, serving the sophisticated tastes of the Parmesan court under Duke Philip of Bourbon. His output was so voluminous that after his death, his collected works were published in monumental multi-volume sets. Frugoni embodied the refined aesthetic of the Italian Settecento and remained a prolific, representative figure of his era's literary style.
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A more complete posthumous edition of his works was published in Lucca in 15 volumes in the same year as his first collection.
The Arcadian Academy adopted pastoral pseudonyms for its members; Frugoni's was 'Comante Eginetico'.
He initially studied for the priesthood but left to pursue literature.
“True poetry is a clear stream, free from the mud of vulgar language.”