

A Swiss poet who forged a vast, defiantly personal mythological universe, earning a late-career Nobel for his epic vision of cosmic struggle.
Carl Spitteler lived a life of deliberate isolation, crafting literary works that stood apart from the fashionable currents of his time. Trained in theology and law, he abandoned both to become a private tutor and, crucially, a writer, publishing under the pseudonym Carl Felix Tandem early on. His magnum opus, the massive verse epic 'Olympian Spring', is a staggering creation: a wholly original mythology populated by gods and heroes, written in a rhythmic, powerful German that sought to revive the epic tradition for the modern age. The work was initially met with public indifference, but its philosophical depth and artistic ambition gradually won over a dedicated circle. His 1919 Nobel Prize, awarded in the shadow of World War I, was seen as a validation of his independent, humanistic spirit and a tribute to the enduring power of poetic imagination over brute force.
The biggest hits of 1845
The world at every milestone
Karl Benz builds the first gasoline-powered automobile
First public film screening by the Lumiere brothers
Einstein publishes the theory of special relativity
The Lusitania is sunk by a German U-boat
First Winter Olympics held in Chamonix, France
He worked for eight years as a private tutor for a family in Saint Petersburg, Russia.
Spitteler was a close childhood friend of the philosopher Friedrich Nietzsche, though they later grew apart.
He was an accomplished violinist and his writing often exhibits a strong musical sensibility.
The Nobel Prize money rescued him from financial difficulties late in his life.
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