
The enigmatic bassist whose hypnotic, driving rhythms provided the pulsating foundation for Buffalo Springfield's brief, brilliant folk-rock explosion.
Bruce Palmer anchored Buffalo Springfield as a bassist. He connected with Stephen Stills and Neil Young in a traffic jam on Sunset Boulevard, forming one of rock's most potent groups. His playing on 'For What It's Worth' and 'Mr. Soul' provided a hypnotic, resonant groove. Palmer struggled with the pressures of fame and immigration status, leading to periods of absence. He was replaced before the band's final collapse. Despite limited recorded output, his influence shaped the sound of folk-rock and country-rock in the late 1960s.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Bruce was born in 1946, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1946
#1 Movie
The Best Years of Our Lives
Best Picture
The Best Years of Our Lives
The world at every milestone
United Nations holds its first General Assembly
First color TV broadcast in the US
Fidel Castro takes power in Cuba
Cuban Missile Crisis brings the world to the brink
Civil Rights Act signed; Beatles arrive in America
Summer of Love in San Francisco; first Super Bowl
Apple Computer founded; US bicentennial
Challenger disaster; Chernobyl nuclear meltdown
Dolly the sheep cloned
Indian Ocean tsunami kills over 230,000
He was a dedicated follower of Indian spiritual teacher Meher Baba for much of his life.
Palmer was deported from the United States multiple times due to visa issues during his time with Buffalo Springfield.
He released a solo album, 'The Cycle Is Complete,' in 1970, which is highly sought after by collectors.
“The bass line is the anchor; it holds the storm of guitars in place.”