

The New York Times critic whose sharp, principled pen could make or break Broadway productions for over three decades.
For nearly forty years, Brooks Atkinson was the definitive voice of Broadway, his reviews in The New York Times carrying the weight of final judgment. He began his tenure in the roaring twenties, bringing a clear, moral, and often witty perspective to the stage. His influence was so profound that a Broadway theatre was eventually named in his honor. Yet Atkinson was no mere aesthete; during World War II, he insisted on leaving his desk to report from the front lines, earning a Pulitzer Prize for his dispatches from Moscow. This depth of experience informed his later criticism, which balanced artistic assessment with a deep understanding of human drama. When he retired in 1960, an era of singular critical authority ended with him.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Brooks was born in 1894, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1894
The world at every milestone
Financial panic grips Wall Street
Halley's Comet makes its closest approach
Titanic sinks on its maiden voyage
The Lusitania is sunk by a German U-boat
First Winter Olympics held in Chamonix, France
D-Day: Allied forces land at Normandy
Brown v. Board of Education desegregates US schools
Civil Rights Act signed; Beatles arrive in America
Nixon resigns the presidency
Apple Macintosh introduced
He originally wanted to be a novelist and wrote several books of travel and reflection.
He was a passionate conservationist and helped found the New York State chapter of The Nature Conservancy.
His famous sign-off, 'I'm Brooks Atkinson of the New York Times,' was parodied by Groucho Marx.
“After each war, when the boys come home, there is a resurgence of interest in the theater.”