
He dragged comic book noir into the 21st century with morally ambiguous, street-level stories where everyone speaks in a hard, authentic criminal patois.
Brian Azzarello wrote '100 Bullets,' a Vertigo series that wove a sprawling conspiracy where ordinary people were offered a gun, untraceable bullets, and a target. Emerging from the Chicago indie comics scene, his writing is defined by its ear for criminal dialogue and a refusal to offer easy heroes. He brought this brutal sensibility to mainstream DC Comics, most notably in a run on 'Wonder Woman' that re-framed Greek gods as a scheming, dysfunctional mob family. Frequent collaborations with artists like Eduardo Risso and Lee Bermejo produced some of the most visually striking and narratively uncompromising work in modern comics. Born in 1962, he treats the medium as a place for complex, adult storytelling.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Brian was born in 1962, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1962
#1 Movie
Lawrence of Arabia
Best Picture
Lawrence of Arabia
#1 TV Show
Beverly Hillbillies
The world at every milestone
Cuban Missile Crisis brings the world to the brink
Summer of Love in San Francisco; first Super Bowl
Fall of Saigon ends the Vietnam War
First test-tube baby born
John Lennon shot and killed in New York
Internet adopts TCP/IP, creating the modern internet
LA riots after Rodney King verdict
Euro currency enters circulation
Curiosity rover lands on Mars; Sandy Hook shooting
Russia invades Ukraine; Queen Elizabeth II dies
He worked in advertising before breaking into comics.
Azzarello is a dedicated fan of the Chicago Cubs baseball team.
He co-wrote the video game 'Batman: Gotham Knight' and contributed to the story of 'Darksiders II'.
His first major comics work was 'Jonny Double', a Vertigo miniseries also drawn by Eduardo Risso.
He has a reputation for writing dialogue that requires artists to carefully plan page layouts for maximum impact.
“The world isn't black and white. It's a dirty, filthy gray.”