

A Russian modernist painter whose intense, often grotesque portraits captured the soul of the peasantry and the turmoil of his era.
Boris Grigoriev was a force of artistic dissent in early 20th-century Russia. Born in 1886, he studied at the Stroganov School and the St. Petersburg Academy of Arts, but quickly moved beyond academic tradition. He traveled through Europe, absorbing influences from Cézanne and the French modernists, which he fused with a distinctly Russian sensibility. Grigoriev is best known for his cycle 'Raseya' (a poetic name for Russia), a series of stark, powerfully drawn portraits of peasants that depicted them not as idealized folk but as earthy, weathered, and spiritually potent figures. After the 1917 Revolution, he emigrated, living in France, the United States, and South America. His work abroad continued to explore themes of displacement and cultural identity, executed with a vigorous, expressive line in both painting and graphic art. He died in 1939, leaving a body of work that serves as a poignant, unflinching chronicle of a vanishing world.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Boris was born in 1886, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1886
The world at every milestone
Statue of Liberty dedicated in New York Harbor
The eruption of Mount Pelee kills 30,000 in Martinique
New York City opens its first subway line
Financial panic grips Wall Street
The Battle of the Somme claims over a million casualties
Robert Goddard launches the first liquid-fueled rocket
Jesse Owens wins four golds at the Berlin Olympics
World War II begins; The Wizard of Oz premieres
He was also a writer and published essays, poems, and a novel.
He lived for several years in Chile, where he painted portraits of local figures and landscapes.
His work was admired by fellow artist and émigré Marc Chagall.
“A face is more interesting than any landscape.”