
A masterful bluesman whose intricate, ragtime-inflected guitar work and clear tenor voice created a unique and elegant soundscape of the American South.
Blind Willie McTell played the twelve-string guitar with breathtaking dexterity, blending Piedmont blues fingerpicking with ragtime's syncopated bounce and slide flourishes. Blind from an early age, he roamed the streets of Atlanta and the Southeast, wielding his instrument as a complex musical language. His voice—a relaxed, melodic tenor—delivered stories of travel, women, and spiritual yearning with a storyteller's clarity, a sharp contrast to the gritty Delta style. A versatile human jukebox, McTell adapted his vast repertoire of blues, rags, pop songs, and spirituals to any audience, from street corners to house parties. He recorded extensively under various pseudonyms, but widespread fame eluded him during his lifetime. Decades later, his intricate artistry finally received the deep reverence it always deserved.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Blind was born in 1898, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1898
The world at every milestone
Spanish-American War; US emerges as a world power
Wright brothers achieve first powered flight
Triangle Shirtwaist Factory fire kills 146 in New York
World War I begins
The Battle of the Somme claims over a million casualties
Treaty of Versailles signed; Prohibition ratified
Alexander Fleming discovers penicillin; Mickey Mouse debuts
Kristallnacht and the escalation toward WWII
Israel declares independence; Berlin Blockade begins
NASA founded
Fidel Castro takes power in Cuba
He recorded under several different names, including Blind Willie, Georgia Bill, Hot Shot Willie, and Blind Sammy.
He was an adept slide guitarist, which was unusual for players of the intricate Piedmont style.
He received a formal music education at schools for the blind in Georgia, New York, and Michigan.
The writer John A. Lomax recorded him for the Library of Congress in 1940, capturing his stories and songs.
“I can see more with my blind eyes than you can with your two good ones.”