

A film composer whose jagged, psychological scores for Hitchcock and Welles taught audiences to feel fear, tension, and tragedy through sound.
Bernard Herrmann didn't just write music for movies; he weaponized sound to get inside a viewer's head. A New York native who studied at Juilliard, he first made waves in radio, composing for Orson Welles's Mercury Theatre, including the infamous 'War of the Worlds' broadcast. That partnership moved to film with 'Citizen Kane,' where Herrmann's innovative, leitmotif-driven score announced a new force. His defining collaboration was with Alfred Hitchcock, for whom he composed a string of masterworks. The shrieking violins of 'Psycho's shower scene are his most famous creation, but the dizzying waltz of 'Vertigo' and the brutal jazz of 'Taxi Driver' are equally transformative. Herrmann fought producers for his artistic vision, insisting music should comment on, not merely decorate, a scene. His final score, for 'Taxi Driver,' was completed the day he died, a fitting end for a man whose work was inseparable from the films it haunted.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Bernard was born in 1911, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1911
The world at every milestone
Triangle Shirtwaist Factory fire kills 146 in New York
The Battle of the Somme claims over a million casualties
First Winter Olympics held in Chamonix, France
Lindbergh flies solo across the Atlantic; The Jazz Singer premieres
Wall Street crashes, triggering the Great Depression
Amelia Earhart flies solo across the Atlantic
Pearl Harbor attack brings the US into WWII
First color TV broadcast in the US
Yuri Gagarin becomes the first human in space
Voting age lowered to 18 in the US
Fall of Saigon ends the Vietnam War
He insisted on conducting the 'Psycho' score himself because the required string-only ensemble was considered beneath most Hollywood conductors.
He had a famous falling out with Hitchcock after the director rejected his score for 'Torn Curtain.'
He was a champion of Charles Ives's music and conducted a recording of Ives's symphony.
The theremin used in his score for 'The Day the Earth Stood Still' was played by musician Samuel Hoffman.
“I don't write music for fun. I write music to fill a need.”