

A Swedish colorist who channeled Norse mythology and raw emotion into violently beautiful, mask-like faces drenched in pigment.
Bengt Lindström's art was a primal scream in vivid color. Born in the rugged north of Sweden, his work drew deeply from the landscapes and Norse sagas of his childhood, filtered through the expressive freedom of mid-century Art Informel. Settling in France, he became part of the Parisian scene, yet his voice remained distinctly his own: monumental, often grotesque heads and figures erupted onto the canvas in thick, sculptural layers of paint. These 'faces' were not portraits but vessels for mythic force and psychological intensity, their features contorted as if by ancient winds. Lindström worked with a physicality that bordered on performance, using his hands and knives to manipulate the paint. A devastating stroke in 2003 stilled his hand, but his legacy is one of untamed energy, a bridge between Nordic tradition and the raw nerve of European expressionism.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Bengt was born in 1925, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1925
#1 Movie
The Gold Rush
The world at every milestone
The Scopes Trial debates evolution in schools
Pluto discovered
Kristallnacht and the escalation toward WWII
Pearl Harbor attack brings the US into WWII
Allies invade Sicily; Battle of Stalingrad ends
United Nations holds its first General Assembly
Rosa Parks refuses to give up her bus seat
US sends combat troops to Vietnam
Fall of Saigon ends the Vietnam War
Live Aid concerts raise money for Ethiopian famine
Oklahoma City bombing; Windows 95 released
Hurricane Katrina devastates New Orleans; YouTube launches
Barack Obama elected first Black US president; financial crisis
He was a skilled athlete in his youth and once considered a career as a wrestler.
He often used a unique, personal symbolism in his paintings, incorporating signs and letters.
He lived and worked for significant periods in the French countryside, away from the Parisian art world hub.
“My gods are not from Olympus; they are trolls and giants from the northern mist.”