

A sharp-eyed detective of the art world, he hunts down forgotten masterpieces lurking in country houses and auction catalogs.
Bendor Grosvenor operates in the shadows of art history, where a layer of grime or a wrong attribution can hide a fortune. An historian and former dealer with a connoisseur's eye, he has built a career on the thrilling rediscovery of Old Master paintings. He is not an academic cloistered in an archive, but a sleuth who scours estate sales and private collections, often using his popular blog and television appearances to publicize his finds. His most famous coup was identifying a portrait long dismissed as a copy as a genuine work by Anthony van Dyck, a discovery that made headlines. Grosvenor represents a modern breed of art expert: part scholar, part storyteller, and part investigative journalist, democratizing the hunt for lost treasures and reminding the public that great art can still be found in the attic.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Bendor was born in 1977, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1977
#1 Movie
Star Wars
Best Picture
Annie Hall
#1 TV Show
Happy Days
The world at every milestone
Star Wars premieres; Elvis dies
Michael Jackson releases Thriller
Hubble Space Telescope launched; Germany reunifies
European Union officially established
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
His unusual first name, Bendor, is a family name derived from the Welsh name of a village on his family's historic estate.
He holds a PhD in art history from the University of Cambridge.
He is a descendant of the Duke of Westminster, one of Britain's wealthiest aristocrats.
He has been an outspoken critic of UK export laws that allow major artworks to be sold abroad.
“The art world is full of pictures waiting to be found. The trick is knowing how to look.”