

A Broadway dynamo who traded the stage's bright lights for over a decade of tech wizardry on a hit TV crime procedural.
Barrett Foa's path was set on the stages of New York, where his triple-threat talents as a singer, dancer, and actor landed him in Broadway productions like 'Avenue Q' and 'Mamma Mia!'. His energetic, charismatic presence was a natural fit for musical comedy. In a career-shifting move, he was cast in 2009 as Eric Beale, the quirky, tech-savvy intelligence operative on 'NCIS: Los Angeles'. For twelve seasons, Foa brought a unique rhythm and wit to the procedural, his theatrical timing translating perfectly to the show's ensemble banter. His tenure made him one of the longest-serving cast members, allowing him to introduce a Broadway performer's specific energy to millions of living rooms each week.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Barrett was born in 1977, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1977
#1 Movie
Star Wars
Best Picture
Annie Hall
#1 TV Show
Happy Days
The world at every milestone
Star Wars premieres; Elvis dies
Michael Jackson releases Thriller
Hubble Space Telescope launched; Germany reunifies
European Union officially established
Oklahoma City bombing; Windows 95 released
Google founded; Clinton impeachment
iPhone released; Great Recession begins
#MeToo movement; solar eclipse crosses the US
He is a graduate of the University of Michigan's musical theatre program.
Foa performed in the national tour of 'The 25th Annual Putnam County Spelling Bee'.
He provided the singing voice for the character of Linus in the 2013 animated film 'The Star of Christmas'.
“I love the energy of live theater; it's a conversation with the audience.”