
A poetic visual stylist who used the camera as a pen, defining the aesthetic of lyrical realism in South Indian cinema.
Balu Mahendra directed 'Kokila' (1977), a debut that announced a new sensibility: natural light, evocative landscapes, and intimate human dramas. Born in Sri Lanka in 1939, a chance encounter with a film shoot as a student ignited his passion. He moved to India, studied cinematography at the Film and Television Institute of Pune. Films like 'Moodu Pani' and 'Veedu' explored psychological depth with quiet, observational grace. 'Sandhya Raagam' was a daring, dialogue-free experiment. He mentored cinematographers and directors, including Bala and Ameer Sultan. He crafted frames where silence and light spoke as powerfully as his characters.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Balu was born in 1939, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1939
#1 Movie
Gone with the Wind
Best Picture
Gone with the Wind
The world at every milestone
World War II begins; The Wizard of Oz premieres
D-Day: Allied forces land at Normandy
Queen Elizabeth II ascends the throne
Rosa Parks refuses to give up her bus seat
Sputnik launches the Space Age
Kennedy-Nixon debates become first televised presidential debates
Apollo 11: humans walk on the Moon; Woodstock festival
Iran hostage crisis begins; Three Mile Island accident
Berlin Wall falls; Tiananmen Square protests
Columbine shooting; Y2K panic builds
Michael Jackson dies; Bitcoin created
Russia annexes Crimea; Ebola outbreak in West Africa
He was born Balanathan Benjamin Mahendran in Batticaloa, Sri Lanka.
His passion for filmmaking was sparked after witnessing the shooting of David Lean's 'The Bridge on the River Kwai' in Sri Lanka as a schoolboy.
Before filmmaking, he worked as an aerial photographer for the Sri Lankan government.
He was known for frequently collaborating with the acclaimed Indian actor and director Revathi.
““Cinematography is not about how you light, it is about how you see.””