

A fiery, independent spirit who stormed the male-dominated world of 19th-century French music with grand operas and orchestral poems.
Augusta Holmès arrived in Paris with ambition and a formidable talent. Of Irish birth, she became a French citizen and a commanding presence in musical salons, known as much for her strong will and red hair as for her compositions. Denied entry to the Conservatoire, she studied privately with César Franck, refusing to let gender barriers stop her. She wrote on a massive scale: a four-hour ode to the French Revolution for the 1889 Exposition, the epic opera 'La Montagne noire', and sweeping symphonic poems like 'Irlande' that drew on her Celtic heritage. Holmès always wrote her own librettos and texts, a testament to her literary skill. Living openly with the poet Catulle Mendès and raising their children, she defied social conventions as boldly as she composed, leaving a body of work that is only now being fully rediscovered and appreciated.
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She was a talented poet and wrote all the texts for her vocal works herself.
She was a student and close friend of composer César Franck.
She was known for her striking appearance and was painted by several notable artists of her time.
She changed the spelling of her surname from 'Holmes' to 'Holmès' after becoming a French citizen.
“I have always worked with passion, because I believe that without passion one can accomplish nothing great.”