

A Victorian poet whose ode to dreamers became an anthem, set to music by composers from Elgar to Aphex Twin.
Arthur O'Shaughnessy lived a quiet double life in the British Museum, where he worked as a herpetologist cataloguing reptiles and fish by day. By night, he moved in Pre-Raphaelite circles, crafting verses that yearned for beauty and transcendence. His 1874 collection 'Music and Moonlight' contained his masterpiece, 'Ode', a poem that begins with the now-immortal lines 'We are the music makers.' Its celebration of artists as world-forgers resonated far beyond his short life, finding musical form in works by Edward Elgar and, a century later, in electronic music. O'Shaughnessy's own world was small—he published little and died at thirty-six—but his words achieved a rhythmic, prophetic power that continues to inspire.
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He was a first cousin of the woman's suffrage campaigner and poet, Eleanor Marx.
He began his career at the British Museum at age 17.
The musical adaptation of his 'Ode' is often performed by choirs and known as 'The Fiddler of Dooney'.
He married and had a daughter, but his wife died only four years later.
“We are the music makers, And we are the dreamers of dreams.”