

The sharp-witted Russian critic who became the essential gatekeeper and champion for underground rock music during the final years of the Soviet Union.
Artemy Troitsky emerged in the 1970s and 80s as the definitive voice for a cultural revolution happening in Soviet basements and makeshift clubs. With a deep, encyclopedic knowledge of Western rock and an ear for the nascent local scene, he used his position as a journalist to document, promote, and legitimize bands like Kino and Akvarium that the state ignored or suppressed. His writing and radio programs were a lifeline for a generation craving something authentic, making him not just a critic but a curator and conspirator in the Soviet counterculture. After the USSR's collapse, he remained a prominent, often acerbic commentator on the Russian music industry, never losing his outsider's edge or his commitment to artistic freedom.
1946–1964
The largest generation in history at the time. Shaped by postwar prosperity, the Vietnam War, the sexual revolution, and Watergate. They questioned every institution their parents built — then ran them.
Artemy was born in 1955, placing them squarely in the Baby Boomers. The events that shaped this generation — postwar prosperity, civil rights, Vietnam, and the counterculture — shaped the world they entered and the choices available to them.
The biggest hits of 1955
#1 Movie
Lady and the Tramp
Best Picture
Marty
#1 TV Show
The $64,000 Question
The world at every milestone
Rosa Parks refuses to give up her bus seat
Kennedy-Nixon debates become first televised presidential debates
Martin Luther King Jr. and Robert Kennedy assassinated
Voting age lowered to 18 in the US
US withdraws from Vietnam; Roe v. Wade decided
Apple Computer founded; US bicentennial
Live Aid concerts raise money for Ethiopian famine
Oklahoma City bombing; Windows 95 released
Hurricane Katrina devastates New Orleans; YouTube launches
Paris climate agreement; same-sex marriage legalized in the US
AI agents go mainstream
He chose the name 'Artemy' for himself as a teenager, replacing his given first name.
He was a founding member of the Russian music award 'Steppenwolf'.
He has taught music journalism at Moscow State University's Faculty of Journalism.
“In Russia, the government changes, but the bureaucracy remains the same.”