

The brilliant, restless wordsmith who penned the librettos for Verdi's final masterpieces, Otello and Falstaff.
Arrigo Boito was a Renaissance man of 19th-century Italy, a composer, poet, critic, and libertine whose own ambitions often outstripped his output. As a young firebrand, he co-founded the Scapigliatura movement, which sought to revolutionize Italian art. His own monumental opera, 'Mefistofele,' was a notorious initial failure, though a revised version later found success. Boito's lasting legacy, however, was forged with his pen, not his baton. He became Giuseppe Verdi's trusted literary collaborator in the composer's old age, sculpting Shakespearean plays into taut, powerful librettos for 'Otello' and 'Falstaff.' These works crowned Verdi's career and are considered among the greatest operas ever written. Boito also provided the text for Ponchielli's 'La Gioconda.' He lived a life of artistic duality, torn between creating his own music and perfecting the words for others' genius.
The biggest hits of 1842
The world at every milestone
First electrical power plant opens in New York
The eruption of Mount Pelee kills 30,000 in Martinique
Titanic sinks on its maiden voyage
World War I ends; Spanish flu pandemic kills millions
He wrote under the anagrammatic pseudonym 'Tobia Gorrio.'
Boito's relationship with the celebrated actress Eleonora Duse was a major public scandal of the era.
He initially had a tense relationship with Verdi, having earlier criticized the older composer's style.
Besides his work with Verdi, he also revised the libretto for Verdi's 'Simon Boccanegra.'
““Music is the art of thinking with sounds.””