

He transformed trash into treasure, amassing and smashing everyday objects to question the very nature of art and consumption in postwar society.
Arman, born Armand Fernandez in Nice, shed his surname to become a one-name force in the art world. A founding member of the Nouveau Réalisme movement in 1960, he rejected abstract expressionism, turning instead to the material reality of mass-produced objects. His career evolved through distinct, provocative phases: the 'Allures' (traces) of inked objects, the 'Accumulations' of identical items sealed in plexiglass, and the violent, cathartic 'Colères' where he smashed instruments and furniture before arranging the fragments. Moving to New York in the 1960s, his scale grew monumental, filling galleries with concrete-encrusted cars and towers of radios. Arman's work was a persistent, witty, and sometimes brutal archaeology of modern life, forcing viewers to see the aesthetic potential in the sheer volume and detritus of consumer culture.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Arman was born in 1928, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1928
#1 Movie
The Singing Fool
Best Picture
Wings
The world at every milestone
Alexander Fleming discovers penicillin; Mickey Mouse debuts
FDR's New Deal launches; Prohibition ends
Pearl Harbor attack brings the US into WWII
D-Day: Allied forces land at Normandy
United Nations holds its first General Assembly
NATO founded; Mao proclaims the People's Republic of China
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Hurricane Katrina devastates New Orleans; YouTube launches
He changed his name from Armand Fernandez to just Arman after a printer's error in a catalogue omitted his last name.
An accomplished jazz violinist, he sometimes performed and incorporated destroyed instruments into his art.
He was a skilled judoka and credited the discipline's philosophy with influencing his artistic approach.
His New York studio was a legendary, chaotic warehouse overflowing with objects he collected for his work.
“The object is the witness of the human condition. I am an archeologist of the present.”