

A sharp-eyed New Yorker writer who dissects the paradoxes of modern feminism, freedom, and personal tragedy with unsparing clarity.
Ariel Levy built her career on the power of uncomfortable observation. At New York Magazine, her 2005 essay 'Female Chauvinist Pigs' critiqued the rise of 'raunch culture,' arguing that mimicking a male fantasy of sexuality wasn't liberation. The piece, expanded into a book, established her voice: witty, critical, and willing to challenge her own generation's assumptions. As a staff writer at The New Yorker, she has turned that lens inward and outward, from profiles of powerful women to a devastating memoir, 'The Rules Do Not Apply,' which chronicled the loss of a pregnancy and the collapse of her marriage. Levy’s work is characterized by its blend of reported precision and raw personal narrative, exploring the gap between the lives we expect and the realities we confront. She writes not as a pundit but as a participant-observer, making her a defining chronicler of contemporary womanhood.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Ariel was born in 1974, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1974
#1 Movie
The Towering Inferno
Best Picture
The Godfather Part II
#1 TV Show
All in the Family
The world at every milestone
Nixon resigns the presidency
Iran hostage crisis begins; Three Mile Island accident
Black Monday stock market crash
Hubble Space Telescope launched; Germany reunifies
LA riots after Rodney King verdict
Oklahoma City bombing; Windows 95 released
Indian Ocean tsunami kills over 230,000
Russia annexes Crimea; Ebola outbreak in West Africa
AI reshapes industries; Paris Olympics
She taught writing at the Iowa Writers' Workshop and at Wesleyan University.
Her essay 'Thanksgiving in Mongolia' describes going into labor and losing her baby while on a reporting trip, forming the core of her later memoir.
Before The New Yorker, she was a contributing editor at New York Magazine for over a decade.
She is married to filmmaker and artist Amy Norquist.
“A woman’s place is in the House and the Senate.”