

The steady-handed conductor behind many of Maria Callas's legendary studio recordings, a master collaborator in the opera pit.
Antonino Votto operated in the rarefied air of mid-century Italian opera, often as the indispensable foil to its brightest star. As a staff conductor at La Scala, Milan, he possessed a deep understanding of the vocal tradition and an unflappable professionalism. This made him the preferred choice for EMI's ambitious studio recordings in the 1950s, where he presided over historic sessions with Maria Callas. Critics sometimes found his studio work overly cautious, but in the theater, a different energy emerged; his live performances with Callas are revered for their dramatic fire. Beyond the podium, Votto was a respected vocal coach, shaping the next generation of singers with his meticulous attention to bel canto style and support for the voice.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Antonino was born in 1896, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1896
The world at every milestone
First modern Olympic Games held in Athens
Queen Victoria dies, ending the Victorian era
Robert Peary claims to reach the North Pole
Titanic sinks on its maiden voyage
World War I begins
Russian Revolution overthrows the tsar; US enters WWI
Robert Goddard launches the first liquid-fueled rocket
Jesse Owens wins four golds at the Berlin Olympics
United Nations holds its first General Assembly
Elvis Presley appears on The Ed Sullivan Show
Star Trek premieres on television
Apple Computer founded; US bicentennial
Live Aid concerts raise money for Ethiopian famine
He was the assistant conductor to Arturo Toscanini for the legendary 1946 reopening concert at La Scala.
Votto originally studied piano and composition before focusing on conducting.
He conducted the world premiere of Franco Alfano's opera 'Cyrano de Bergerac' at La Scala in 1936.
Despite his close association with Callas, he also worked extensively with other greats like Giuseppe Di Stefano and Tito Gobbi.
“The voice must always be served, never forced.”