

A Viennese zither player whose haunting melody for 'The Third Man' became one of cinema's most instantly recognizable themes.
Anton Karas was scraping out a living playing his zither in Heurigen, the rustic wine taverns of postwar Vienna, when director Carol Reed heard him in 1948. Reed, scouting for authentic local sound for his film noir 'The Third Man,' was captivated. He brought Karas to London for six weeks, where the musician composed and recorded the now-famous score, plucking the strings of his instrument with a relentless, hypnotic rhythm. The 'Third Man Theme,' or 'The Harry Lime Theme,' became a global sensation, topping charts and selling millions of records. Overnight, Karas transformed from a tavern musician into an international star, though he remained deeply connected to Vienna, eventually owning his own Heuriger. His score did more than define a film; it etched the sound of a shadowy, divided Vienna into the world's cultural memory.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Anton was born in 1906, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1906
The world at every milestone
San Francisco earthquake devastates the city
Triangle Shirtwaist Factory fire kills 146 in New York
Treaty of Versailles signed; Prohibition ratified
King Tut's tomb discovered in Egypt
First Winter Olympics held in Chamonix, France
Lindbergh flies solo across the Atlantic; The Jazz Singer premieres
Jesse Owens wins four golds at the Berlin Olympics
United Nations holds its first General Assembly
Elvis Presley appears on The Ed Sullivan Show
Star Trek premieres on television
Apple Computer founded; US bicentennial
Live Aid concerts raise money for Ethiopian famine
He learned to play the zither, a traditional Austrian string instrument, entirely by ear.
Director Carol Reed insisted his name appear alone on the film's opening credits: "Zither music by Anton Karas."
The success of the theme allowed him to buy a tavern in Vienna, which he named 'Zum Dritten Mann' ('At the Sign of the Third Man').
“The zither is not a gentle instrument; it has a spine of wire.”