

A master storyteller at Pixar who built entire, believable worlds from the anxieties of a clownfish and the loneliness of a trash-compacting robot.
Andrew Stanton is one of the foundational architects of Pixar's storytelling ethos, a writer and director who understands that the most fantastical premises require deeply human emotional cores. Joining the company as its second animator, he was instrumental in shaping the studio's early hits, co-writing the existential toy crisis of 'Toy Story.' His directorial debut, 'Finding Nemo,' transformed a father's worry into a vibrant oceanic epic, while 'WALL-E' dared to tell a poignant love story with barely any dialogue in its first act, using the language of cinema itself. His career is a testament to creative risk, encompassing both the ambitious stumble of the live-action 'John Carter' and a return to form with 'Finding Dory.' Stanton operates on a simple, powerful principle: make the audience care, and they'll follow you anywhere, even to the bottom of the ocean or the wastes of a deserted Earth.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Andrew was born in 1965, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1965
#1 Movie
The Sound of Music
Best Picture
The Sound of Music
#1 TV Show
Bonanza
The world at every milestone
US sends combat troops to Vietnam
First Earth Day; The Beatles break up
First test-tube baby born
MTV launches; first Space Shuttle flight; AIDS identified
Internet adopts TCP/IP, creating the modern internet
Challenger disaster; Chernobyl nuclear meltdown
Oklahoma City bombing; Windows 95 released
Hurricane Katrina devastates New Orleans; YouTube launches
Paris climate agreement; same-sex marriage legalized in the US
AI agents go mainstream
He provided the voice of the laid-back sea turtle Crush in 'Finding Nemo' and 'Finding Dory.'
The concept for 'Finding Nemo' emerged from his own feelings of overprotectiveness as a new father visiting an aquarium.
He is a devoted student of film history and often cites the silent era and classic Hollywood as major influences on his work.
He wrote the famous Pixar rule 'You gotta have a conflict' that is part of the studio's 22 rules of storytelling.
“The most important question you can ask yourself about your story is, 'What is this about?'”