A French painter whose exploration of the unconscious, through sand, glue, and automatic drawing, forged a vital bridge between Surrealism and Abstract Expressionism.
André Masson's art was born from the trenches of World War I, an experience that left him wounded and deeply skeptical of rational order. He became a central, if often rebellious, figure in the Parisian Surrealist circle of the 1920s, pioneering techniques like automatic drawing to tap directly into the subconscious. His most radical works involved throwing sand and glue onto canvases thick with paint, creating textured, chaotic landscapes that evoked primal battles and biological forms. Forced into exile in New York during World War II, his studio became a crucial meeting point. His intense, gestural methods and fascination with myth directly influenced a new generation of American artists, including Jackson Pollock, providing a key European catalyst for the raw, physical energy of what would become Abstract Expressionism.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
André was born in 1896, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1896
The world at every milestone
First modern Olympic Games held in Athens
Queen Victoria dies, ending the Victorian era
Robert Peary claims to reach the North Pole
Titanic sinks on its maiden voyage
World War I begins
Russian Revolution overthrows the tsar; US enters WWI
Robert Goddard launches the first liquid-fueled rocket
Jesse Owens wins four golds at the Berlin Olympics
United Nations holds its first General Assembly
Elvis Presley appears on The Ed Sullivan Show
Star Trek premieres on television
Apple Computer founded; US bicentennial
Black Monday stock market crash
He was severely wounded in World War I, an experience that profoundly shaped his dark and chaotic artistic vision.
During his exile in New York, he lived in a Connecticut farmhouse near fellow Surrealist exile Yves Tanguy.
He had a famous, public falling out with Surrealist leader André Breton in 1929.
The Museum of Modern Art in New York held a major retrospective of his work in 1976.
“The great thing about the unconscious is that it is truly unconscious.”