

A British artist who uses celebrity lookalikes to create eerily convincing, often scandalous, fictional private moments.
Alison Jackson holds up a funhouse mirror to our obsession with fame, and the reflection is both hilarious and unsettling. Working in photography, video, and installation, she constructs elaborate scenarios featuring uncanny doubles of the world's most famous faces—from the British royal family to Hollywood A-listers and political leaders. Her work operates on a delicious paradox: we know it's fake, but the imagery feels so plausible it challenges our sense of truth. By staging these 'private' moments—a queen making tea, a president in his bathrobe—Jackson exposes the machinery of celebrity and the public's complicit desire to believe in the intimate narratives sold by the media. Her art questions not just the nature of fame, but the very reliability of images in a digital age.
1965–1980
The latchkey kids. Raised during divorce, recession, and the end of the Cold War. Skeptical, self-reliant, media-literate. They invented indie culture, grunge, and the early internet — then watched the Boomers take credit.
Alison was born in 1970, placing them squarely in the Generation X. The events that shaped this generation — economic uncertainty, the end of the Cold War, and the rise of personal computing — shaped the world they entered and the choices available to them.
The biggest hits of 1970
#1 Movie
Love Story
Best Picture
Patton
#1 TV Show
Rowan & Martin's Laugh-In
The world at every milestone
First Earth Day; The Beatles break up
Fall of Saigon ends the Vietnam War
Internet adopts TCP/IP, creating the modern internet
Challenger disaster; Chernobyl nuclear meltdown
Pan Am Flight 103 bombed over Lockerbie
Soviet Union dissolves; World Wide Web goes public
Y2K passes without incident; contested Bush-Gore election
Deepwater Horizon oil spill; iPad launched
COVID-19 pandemic shuts down the world
She studied fine art at the University of Westminster and later at the Royal College of Art.
Her work was cited in the Leveson Inquiry into UK press ethics for its commentary on privacy and media intrusion.
Jackson keeps the identities of her expert lookalikes a closely guarded secret.
She originally trained as a sculptor before turning to photography and video.
“We live in a world where we think we know these people, but we only know their image.”