

The quiet Englishman of French Impressionism, who captured the subtle, shifting moods of sky and water with a poet's sensitivity.
Alfred Sisley lived and painted at the heart of the Impressionist revolution, yet he followed a quieter, more solitary path than his famous friends. Born in Paris to English parents, he rejected a career in commerce to pursue painting, finding his lifelong subject in the landscapes of the Île-de-France. While Monet chased light and Renoir celebrated people, Sisley dedicated himself with singular focus to the transient effects of weather on rivers, fields, and villages. His palette was often more restrained, his touch softer, conveying a sense of serene melancholy. Financial security eluded him, and he lived much of his life in modest circumstances, but this never compromised his artistic vision. He remained, until his death, the purest of the Impressionist landscape painters, a poet of the overcast sky and the flowing Seine, whose work offers a hushed, deeply felt counterpoint to the movement's more exuberant declarations.
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He was the only major Impressionist painter who was a British citizen, though he lived almost his entire life in France.
Much of his family's wealth was lost in the Franco-Prussian War, plunging him into a life of financial hardship.
The Louvre museum did not acquire a Sisley painting until 1907, years after his death.
He was a close friend of fellow Impressionist Frédéric Bazille, and shared a studio with him early in his career.
“Every picture shows a spot with which the artist has fallen in love.”