

A British actor who gracefully evolved from a wizard's school classmate to a compelling lead in intense American television drama.
Alfred Enoch grew up on screen, but not in the typical child-star trajectory. The son of a distinguished actor, he landed the role of the kind-hearted Dean Thomas in the Harry Potter film series at age twelve, spending a decade as part of cinema's most beloved ensemble. Rather than remain typecast in fantasy, he pursued a rigorous education in classical theatre at Oxford University, honing his craft away from the spotlight. This foundation prepared him for a dramatic reinvention as Wes Gibbins in 'How to Get Away with Murder', where he held his own among veteran actors, portraying a complex young man entangled in a web of secrets and crime, proving his depth far beyond the halls of Hogwarts.
1981–1996
The first digital natives. Grew up with the internet, came of age during 9/11 and the 2008 crash. Highly educated, deeply indebted, slower to marry and buy houses. Redefined work, identity, and what it means to be an adult.
Alfred was born in 1988, placing them squarely in the Millennials. The events that shaped this generation — the internet revolution, 9/11, and the 2008 financial crisis — shaped the world they entered and the choices available to them.
The biggest hits of 1988
#1 Movie
Rain Man
Best Picture
Rain Man
#1 TV Show
The Cosby Show
The world at every milestone
Pan Am Flight 103 bombed over Lockerbie
European Union officially established
September 11 attacks transform the world
Indian Ocean tsunami kills over 230,000
Twitter launches; Pluto reclassified as dwarf planet
Michael Jackson dies; Bitcoin created
Royal wedding of Harry and Meghan; Parkland shooting
He is fluent in Portuguese, which he learned from his Brazilian mother.
His father is William Russell, a British actor famous for being one of the original companions in 'Doctor Who' in the 1960s.
He studied Spanish and Portuguese at The Queen's College, Oxford.
He made his professional stage debut in a 2012 production of 'The Last of the Haussmans' at the National Theatre in London.
“I grew up on that set, and it taught me the value of a true ensemble.”