With a Leica and an intuitive eye, he captured the defining moments and faces of the 20th century, creating some of its most enduring photographs.
Alfred Eisenstaedt began his career in Weimar Germany, selling a photograph of a woman tennis player in 1927 and soon becoming a successful photojournalist. Fleeing the Nazis in 1935, he brought his talent to America, where he became one of the first four staff photographers for the new Life magazine. Eisenstaedt's genius lay in his ability to disappear into a scene, using natural light and small cameras to capture unguarded, narrative moments. Over nearly four decades, he produced over 2,500 picture stories and 90 covers for Life, from the solemnity of a Hitler-Mussolini meeting to the pure joy of a sailor kissing a nurse in Times Square on V-J Day. He photographed everyone from Einstein to Marilyn Monroe, not as distant icons, but as human beings, defining the very practice of modern photojournalism.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Alfred was born in 1898, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1898
The world at every milestone
Spanish-American War; US emerges as a world power
Wright brothers achieve first powered flight
Triangle Shirtwaist Factory fire kills 146 in New York
World War I begins
The Battle of the Somme claims over a million casualties
Treaty of Versailles signed; Prohibition ratified
Alexander Fleming discovers penicillin; Mickey Mouse debuts
Kristallnacht and the escalation toward WWII
Israel declares independence; Berlin Blockade begins
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Oklahoma City bombing; Windows 95 released
He was nicknamed 'Eisie' by his colleagues and subjects.
Eisenstaedt never used a light meter, relying entirely on his experience and intuition for exposure.
His first camera was an Eastman Kodak Folding Camera given to him at age 14.
He continued to actively shoot assignments well into his 90s.
““It is more important to click with people than to click the shutter.””