
A Mexican humanist who shaped 20th-century Latin American letters, he wove together diplomacy, classical scholarship, and a profound love for his homeland's soul.
Alfonso Reyes wrote 'Visión de Anáhuac' in 1917, a prose poem about Mexico's landscape and pre-Columbian past, while living in exile in Madrid. Forced from Mexico during the Revolution, he turned displacement into a creative forge, producing essays on Greek poetry, Spanish literature, and the myths of his homeland. Returning to Mexico, he founded the Colegio de México and directed the National Institute of Anthropology and History, mentoring a generation of writers. As ambassador to Argentina and Brazil, he built cultural bridges across the Americas. His prose moved effortlessly from ancient to modern, European to American. Reyes believed literature was a civilizing force, and his vast, varied work embodies that conviction.
1883–1900
Came of age during World War I. Disillusioned by the carnage, they rejected the certainties of the Victorian era and built modernism from the wreckage — in art, literature, and politics.
Alfonso was born in 1889, placing them squarely in The Lost Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1889
The world at every milestone
Eiffel Tower opens in Paris
The eruption of Mount Pelee kills 30,000 in Martinique
Einstein publishes the theory of special relativity
Financial panic grips Wall Street
Halley's Comet makes its closest approach
Treaty of Versailles signed; Prohibition ratified
Wall Street crashes, triggering the Great Depression
World War II begins; The Wizard of Oz premieres
NATO founded; Mao proclaims the People's Republic of China
Fidel Castro takes power in Cuba
His father, General Bernardo Reyes, was a key figure in the Mexican Revolution and died in the Decena Trágica.
He was a close friend of Spanish poet Juan Ramón Jiménez and many other leading intellectuals of his day.
Reyes was a member of the Ateneo de la Juventud, a influential group of young Mexican humanists.
He once worked as a cashier in a Parisian bank during his exile to support his writing.
“Between what I see and what I say, between what I say and what I keep silent, between what I keep silent and what I dream, between what I dream and what I forget: poetry.”