

A Russian-born painter who channeled spiritual intensity into a lifelong series of increasingly abstract, iconic heads and meditative landscapes.
Alexej von Jawlensky began as a Russian guards officer before trading his uniform for a painter’s smock, studying under Ilya Repin in St. Petersburg. In 1896, he moved to Munich, a decision that placed him at the heart of the German avant-garde. He became a vital force in the New Munich Artists’ Association and, crucially, Wassily Kandinsky’s Der Blaue Reiter group, where his work evolved from thickly painted, Fauvist-inspired landscapes toward a profound focus on the human face. His 'Heads' and later 'Saviour’s Faces' and 'Meditations' are a unique contribution to modern art—reducing the portrait to its essential, almost hieratic form, using bold color to express inner life and mystical yearning. Forced by arthritis to stop painting in 1937, his final years were marked by physical limitation but artistic reverence. Jawlensky’s journey created a bridge from Russian soulfulness to European Expressionism, resulting in a body of work that feels both timeless and deeply personal.
1860–1882
Born during or after the Civil War, they built industrial America — the railroads, the steel mills, the first skyscrapers. An era of massive wealth, massive inequality, and the belief that the future belonged to whoever could build it fastest.
Alexej was born in 1864, placing them squarely in The Gilded Age. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1864
The world at every milestone
Edison patents the incandescent light bulb
First electrical power plant opens in New York
Karl Benz builds the first gasoline-powered automobile
New York City opens its first subway line
World War I begins
First Winter Olympics held in Chamonix, France
Pearl Harbor attack brings the US into WWII
He was a close friend and artistic peer of Marianne von Werefkin, a major Expressionist painter in her own right.
Jawlensky's son, Andreas, became an art historian who helped catalog and promote his father's work.
Nazi authorities deemed his work 'degenerate' and removed 72 of his pieces from public collections in 1937.
He began his signature series of heads during World War I while interned in Switzerland.
“Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings.”