

A Parisian organist whose devotion to Bach revived France's taste for polyphonic grandeur, influencing generations of composers.
Alexandre Boëly stood at a musical crossroads in 19th-century France. As a child of the Chapel Royal, he was steeped in the rigorous polyphony of Bach and the classical masters, a taste that became unfashionable in an era enthralled by operatic flash. For decades, he worked as a modest church organist in Paris, his genius largely unrecognized by the musical establishment. Yet, at the organ of the Church of Saint-Germain-l'Auxerrois, he built a reputation as a keeper of the flame, performing the complex fugues of Bach and his own finely-wrought compositions for a small but devoted circle. His stubborn dedication to musical integrity over popular acclaim eventually bore fruit; later in life, he was appointed organist at the prestigious Church of Saint-Sulpice. Boëly’s legacy is that of a bridge, preserving the contrapuntal art of the past and passing it directly to the rising stars of the French organ school, like César Franck.
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His father was a countertenor at the Chapel Royal and a harpist for the Imperial Court.
He was a skilled performer on the viola as well as the organ and piano.
For much of his career, he made a living as a copyist for the court and as a piano teacher.
Many of his manuscripts are preserved in the Bibliothèque nationale de France.
“True music is architecture in sound, built note by note.”