An artist who literally broke the frame, creating vibrant, sewn and painted constructions that danced between painting and sculpture.
Alan Shields refused to play by the rules of the canvas. Emerging from the Kansas plains to the New York art scene in the late 1960s, he rejected the rectangle, creating exuberant, hand-dyed and painted works that were meant to be experienced in the round. He sewed, beaded, and stitched canvases into playful, irregular shapes—circles, diamonds, sprawling grids—that hung freely in space, casting intricate shadows. His work was a joyous, tactile fusion of process and product, drawing from quilt-making, sailing rigs, and the colors of the American West. For a time in the 1980s, he stepped away, captaining a ferryboat around Manhattan, an experience that only deepened his connection to craft and motion. Shields left behind a uniquely vibrant body of work that challenged the very definition of a painting.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Alan was born in 1944, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1944
#1 Movie
Going My Way
Best Picture
Going My Way
The world at every milestone
D-Day: Allied forces land at Normandy
NATO founded; Mao proclaims the People's Republic of China
Sputnik launches the Space Age
Kennedy-Nixon debates become first televised presidential debates
Cuban Missile Crisis brings the world to the brink
US sends combat troops to Vietnam
Nixon resigns the presidency
Apple Macintosh introduced
Nelson Mandela elected president of South Africa
Indian Ocean tsunami kills over 230,000
Hurricane Katrina devastates New Orleans; YouTube launches
He worked for a time as a commercial ferryboat captain in New York Harbor.
Shields often used inexpensive, humble materials like duck canvas, thread, and acrylic paint.
He maintained a studio on a remote island off the coast of Georgia later in his career.
“I want you to walk around it, to see the stitching holding the color in place.”