

The sharp-witted editor who steered Mad Magazine for three decades, shaping American satire with a subversive grin.
Al Feldstein didn't just edit Mad Magazine; he was its anarchic ringmaster during its most influential era. Taking over from founder Harvey Kurtzman in 1956, he transformed the publication from a comic book into a slick, black-and-white magazine, a move that bypassed comic censorship codes. For nearly 30 years, Feldstein curated its unique blend of smart, absurd humor, commissioning the parodies of movies and ads that taught generations to question authority and spot hypocrisy. He oversaw the work of the 'Usual Gang of Idiots'—artists like Don Martin and Antonio Prohías—and cemented features like 'Spy vs. Spy' and 'The Lighter Side.' After retiring, he swapped satire for serenity, achieving success as a painter of dramatic Western wildlife scenes.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Al was born in 1925, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1925
#1 Movie
The Gold Rush
The world at every milestone
The Scopes Trial debates evolution in schools
Pluto discovered
Kristallnacht and the escalation toward WWII
Pearl Harbor attack brings the US into WWII
Allies invade Sicily; Battle of Stalingrad ends
United Nations holds its first General Assembly
Rosa Parks refuses to give up her bus seat
US sends combat troops to Vietnam
Fall of Saigon ends the Vietnam War
Live Aid concerts raise money for Ethiopian famine
Oklahoma City bombing; Windows 95 released
Hurricane Katrina devastates New Orleans; YouTube launches
Russia annexes Crimea; Ebola outbreak in West Africa
Before Mad, he was a key artist and writer for EC Comics, drawing horror and science fiction stories.
His second career as a wildlife painter was highly successful; his works were sold in galleries across the American West.
He voiced himself in a 2013 episode of 'The Simpsons' titled 'The Fabulous Faker Boy.'
“What, me worry?”