

The playful, radical grandmother of the French New Wave who used a camera to find political truth and poetic wonder in everyday lives.
Agnès Varda approached filmmaking not as an industry insider, but as a curious, self-taught artist with a photographer's eye. Her first feature, 'La Pointe Courte,' predated and quietly predicted the French New Wave. She moved within that celebrated circle but always on her own terms, creating works like 'Cléo from 5 to 7' and 'Vagabond' that blended documentary realism with inventive fiction to focus on women, outsiders, and the marginalized. In later years, she embraced the label 'cinécriture' (filmwriting) to describe her unique method where form and content were inseparable. Never confined to one medium, she created installations and photographs with equal vitality. Her final films became deeply personal essays on memory and mortality, cementing her legacy as a boundless, empathetic chronicler of life's beautiful, fragile details.
1928–1945
Born between the Depression and the end of WWII. Too young to fight, old enough to remember. They became the conformist middle managers of the 1950s — and the civil rights leaders who quietly dismantled Jim Crow.
Agnès was born in 1928, placing them squarely in The Silent Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1928
#1 Movie
The Singing Fool
Best Picture
Wings
The world at every milestone
Alexander Fleming discovers penicillin; Mickey Mouse debuts
FDR's New Deal launches; Prohibition ends
Pearl Harbor attack brings the US into WWII
D-Day: Allied forces land at Normandy
United Nations holds its first General Assembly
NATO founded; Mao proclaims the People's Republic of China
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Barack Obama elected first Black US president; financial crisis
First image of a black hole; Hong Kong protests
She originally studied art history and worked as a still photographer before making her first film.
She was married to fellow French New Wave director Jacques Demy, and made several films about him after his death.
She had a distinctive two-tone bowl-cut hairstyle for much of her later life.
Her 1962 film 'Cléo from 5 to 7' is structured in real-time, following 90 minutes in the life of a singer awaiting medical results.
“I don't like to be called a woman director. I am a filmmaker. I think the word 'director' is a little pompous.”