
A rubber-faced Dutch comedian whose physical genius and absurd characters defined a generation of slapstick in the Netherlands.
Abraham 'Appie' Bueno de Mesquita turned his extraordinary facial elasticity into a national comedic treasure. Born into a Portuguese-Jewish family in Amsterdam in 1918, he began in pre-war cabaret. After World War II, he became a fixture of Dutch television, film, and stage. His contortions—eyes bulging, mouth stretching into impossible grins—told entire stories without words. He created beloved characters, including the naive 'Appie' and the flustered 'Burgemeester van Bovenkarspel.' His gentle, observational silliness appealed to all ages, making him the undisputed king of visual comedy in the Netherlands.
1901–1927
Grew up during the Depression, fought World War II, and built the postwar economic boom. Defined by shared sacrifice, institutional trust, and a belief that hard work and loyalty would be rewarded.
Abraham was born in 1918, placing them squarely in The Greatest Generation. The events that shaped this generation — world wars, depression, and rapid industrialization — shaped the world they entered and the choices available to them.
The biggest hits of 1918
The world at every milestone
World War I ends; Spanish flu pandemic kills millions
The Great Kanto earthquake devastates Tokyo
The Empire State Building opens as the world's tallest
Jesse Owens wins four golds at the Berlin Olympics
World War II begins; The Wizard of Oz premieres
Israel declares independence; Berlin Blockade begins
NASA founded
Martin Luther King Jr. and Robert Kennedy assassinated
First test-tube baby born
Pan Am Flight 103 bombed over Lockerbie
Google founded; Clinton impeachment
Hurricane Katrina devastates New Orleans; YouTube launches
He was a direct descendant of a famous 17th-century Portuguese-Jewish philosopher, Uriel da Costa.
During World War II, he was imprisoned in the Westerbork transit camp but survived the Holocaust.
His son, Jeroen, also became a well-known actor and comedian in the Netherlands.
“My face is my instrument, and I must keep it in tune.”